By Hannah Matis
Can a murderer be a minister? This is the question which haunts the eloquent, idiosyncratic exploration, The Minister and the Murder, by Stuart Kelly, of the strange case of the matricide and... Read More...
By Hannah Matis
A year ago — was it only a year ago? — Pixar released Soul, with its gorgeous evocation of an African-American neighborhood in New York rather unexpectedly intersected by souls’ transmigratio... Read More...
This is the sixth post in a series in which I explore what classic film actresses in iconic roles can teach us — and, more particularly, teach my now two fast-growing daughters — about the seven classic virtues. These posts follow the order of the virtues that... Read More...
By Matt Boulter
Discussing Christopher Nolan’s 2020 Tenet is a lot like discussing the book of Revelation: the “text” is so complicated and apparently convoluted that you are constantly wondering if you have... Read More...
This is the fifth post in a series in which I explore what classic film actresses in iconic roles can teach us — and, more particularly, my fast-growing daughter — about the seven classic virtues. These posts f... Read More...
The world of The Irishman is a deeply moral one, with a strong sense of retribution and justice, but without much hope of reconciliation or redemption for its central characters.
One of the greatest strengths of Little Women is that it is a story of very different sisters, and thus becomes a kind of fable of the very different paths a woman may choose.
As a film, The Joker is exceptionally good at portraying this sin-ravaged world — a bleak, decadent civilization where the bonds of mutual care have come entirely undone.